Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai

After our visit to the iconic Gateway of India in Mumbai, we headed to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), which is just a short 20-minute walk (1472 meters) away from the Gateway of India in Colaba. Upon arrival, we had the choice of two entry options: one priced at 150/- for admission without photography and another at 200/- that included photography privileges.

Formerly CSMVS was known as the Prince of Wales Museum of Western India, this museum is a prominent cultural and historical institution in India. It operates as a not-profit organization, established by the Prince of Wales Museum Act in 1909, and relies on public–private partnerships for support.

Below are the milestones that make it the first museum located in a heritage building or precinct to receive such recognition.

1. Heritage Recognition: CSMVS is recognized as a Grade I Heritage Building, highlighting its architectural significance.
2. UNESCO Accolades: The museum received the '2022 Award of Excellence' from the UNESCO Asia Pacific Awards for Cultural Heritage Conservation and was designated a UNESCO World Heritage site in 2018 as part of the Victorian Gothic and Art Deco Ensemble in Mumbai.
3. Environmental Leadership: In 2019, CSMVS achieved the highest (Platinum) rating from the Indian Green Building Council, underscoring its global leadership in environmental management. 

Here are some sculptures and arts that caught my attention at the museum.

Front view of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai

Yajna Varaha: Vishnu's Boar Incarnation: red sandstone marvel of Yajna Varaha, Vishnu's boar incarnation, from 900-1099 CE at Vidisha District Archaeological Museum, Madhya Pradesh, India.

Shantinatha (Right), the 16th Jain Tirthankara, crafted in Marble at South Thar Parkar district, Sindh, Pakistan, dated Samvat 1195 (1138 CE). The sculpture embodies calm meditation in the kayotsarga pose, with a Devnagari inscription attesting its creation by Gargasuri for Shri Jineshwarachya Sangha. Sadashiva (Middle), Madhya Pradesh, the supreme form of Shiva, embodying nishkola - sakala, representing the five elements, with three faces symbolizing air, fire, and water. Unveil the divine essence worshipped by the Pashupata cult in 1st - 2nd centuries CE. Buddha (Left) seated in padmasana, touching the earth in the bhumisparsha mudra. This moment symbolizes his enlightenment, a pivotal event in Buddhism's history. Journey from Prince Siddharth to the enlightened Buddha, calling upon the earth as a witness to this transformative experience.

ANADEVATA: Tribal belief in nature through metal alloy Dokra Art in Chhattisgarh. Suresh Baghmare captures the essence of forest deities, showcasing the reverence for all living creatures among ancient Indian forest dwellers. Witness the sacred connection between nature, animals, and the worshipped deities in this art form.

Evolution of Indian Miniature Painting

Indian Miniature Painting: Trace the origins from palm leaves to paper in the 14th century CE. Explore diverse styles like Mughal, Pahari, and more, each reflecting regional influences. The tradition thrives in parts of India.

That's it from CSMVS at Mumbai. We head towards Marine Drive.

Mumbai's Elegance: The Gateway of India and the Taj Hotels

In the heart of bustling Mumbai stands an iconic structure that resonates with the echoes of history—the Gateway of India. Commissioned to commemorate the royal landing of King George V and Queen Mary in 1911, this Indo-Saracenic masterpiece stands as a symbol of both colonial grandeur and the enduring spirit of the nation.

The Gateway of India, constructed in basalt and rising to a majestic height of 26 meters, is not merely an architectural marvel but a time capsule that encapsulates the essence of Mumbai's evolution. The foundation stone was laid in 1911, and after meticulous planning and design by George Wittet, its construction reached completion in 1924. The arch, with its intricate details and commanding presence, served as a ceremonial entrance for Viceroys and Governors, embodying a regal welcome to the Indian subcontinent.

Situated on the waterfront at Apollo Bunder, the Gateway of India offers a breathtaking view of the Arabian Sea, inviting both locals and global wanderers to partake in its splendor. Often referred to as the "Taj Mahal of Mumbai," it has become an integral part of the city's identity, drawing visitors from far and wide.

Adjacent to this monumental gateway, the cityscape is graced by not one but two Taj Hotels—the Old Taj and the New Taj. The Old Taj Hotel, a heritage structure, is a living testament to Mumbai's colonial history. Its architecture reflects the opulence of a bygone era, preserving the charm that has enchanted guests for decades.

In contrast, the New Taj Hotel stands as a modern marvel, seamlessly blending contemporary luxury with architectural innovation. Together, these two landmarks mirror the dynamic spirit of Mumbai—a city that cherishes its heritage while embracing the winds of change.

The Gateway of India and the Taj Hotels

Gateway of India, Mumbai

Old Taj Hotel, Mumbai

New Taj Hotel, Mumbai

Sculpted Design on the Walls of the Gateway of India

That's it from the Gateway of India at Mumbai. We head towards CSMVS.

Bandra Fort: Guardian of Mumbai's Heritage

Excited about the company's annual party event, I planned a Mumbai Darshan trip. Despite our early arrival at The Oriental Residency Hotel in Bandra, the December rush delayed our check-in until 2:00 PM. The hotel staff, courteous and accommodating, assured an early check-in by 12:30 PM. Eager to explore, we headed to Bandra Fort, the closest tourist spot. Unfortunately, the fort was closed for renovation, so we strolled around, capturing snapshots. Post our impromptu visit, we checked into The Oriental Residency Hotel.

Bandra Fort, built in the early 1640 AD by the Portuguese, the fort served as a watchtower overlooking Mahim Bay, the Arabian Sea, Worli islands, and the town of Mahim. Armed with cannons, it guarded the northern sea route into Mumbai Harbour. The freshwater spring nearby provided potable water to passing ships, earning the fort its name, Castella de Aguada.

Foreseeing a Maratha threat, the British partially demolished it in the early 18th century. The Marathas briefly ruled the area until the British gained possession during the First Anglo-Maratha War in 1774 AD.

Side View of Bandra Fort

Bandra Fort from a different perspective

The fort, featured in Bollywood films like Dil Chahta Hai and Buddha Mil Gaya, provides a serene escape for both locals and tourists. The Bandra Fort is open from 10 AM to 8 PM, allowing visitors to witness the beauty of its architecture and the mesmerizing sea view, especially during the enchanting sunset.

Sathyamma Devi Temple - Jogula Bhavi, Savadatti

Another place of worship on the Savadatti hill lies the holy place "Jogula Bhavi / Satyamma Kunda" or tank, where worshippers bathe and change into new garments before entering the temple. The goddess of the temple is also called Jagadamba, which translates to "Mother of the Universe".

An interesting religious custom being observed here is called "Nimmana," where female devotees circumambulate the Satyamma / Sathyavva temple in a clockwise direction on the prathakshana path with neem leaves in their mouths. Neem leaves are known for their proven medicinal properties. It is believed that the deity Sathyavva is a form of Kali.

Some devotees hold the belief that as Sathyamma Devi is considered the elder sister of Renuka Yellamma Devi, it is customary to first visit Jogula Bhavi Sathyavva Devi temple before proceeding to the Renuka Yellamma Devi temple.

Side view of Sathyavva devi temple.

Front view of Sathyavva devi temple.

Devotees queue for Sathyavva devi darshanam.

If you wish to partake in a Special Pooja/Abhishekam to enhance your connection with divinity before your visit to this place, feel free to contact the temple trustee, Mr. Lingaraj Hugar, at his mobile number +91-9964318502. Reach out before your visit for scheduling or to gather additional information. 

That's it from Sathyavva Devi Temple at Jogula Bhavi, Savadatti. We head towards Renuka Yellamma Devi Temple, Savadatti.

Renuka Yellamma Devi Temple, Savadatti

In my childhood, Goddess Renuka Yellamma Devi Temple (ರೇಣುಕಾ ಯಲ್ಲಮ್ಮ ದೇವಿ ದೇವಸ್ಥಾನ) often visited my parents in late 90's. People came to her for healing, begetting children, and forecasting marriages. Renuka Yellamma devi's story involves a beheading and resurrection by her son Parashurama, making her a gramadevata, a village deity. [Divine Renuka Devi, Saundatti - wikipedia story]. Renuka Yellamma devi is worshipped across rural South India.

Temple is constructed around 1514 by Bomappa Nayaka of Raybag, also recognized as Bommappa Nayaka of Raibog. Archaeological findings in the vicinity indicate the existence of a temple during the late Chalukyan or early Rashtrakuta periods, spanning from the mid-eighth to the mid-eleventh century.

Three types of temple darshan are available:

1. VIP Pass, priced at 500/- per head, ensures a swift darshan of the deity within 30-45 minutes.
2. Paid Pass, costing 100/- per head, offers darshan within 1 to 2.5 hours.
3. Dharm Pass, provided free of charge, has a longer waiting time of more than 4 hours.

For senior citizens above 65 years, there is a special darshan that takes approximately 30 minutes. To avail of this, please contact the temple authority at Shree Renuka Yallamma Temple, Savadatti, through the following mobile numbers: +91-9686131222 / +91-874634072. All these passes are effective, especially during peak festival times.

Holy water place of Yellamma devi temple.

Gopuram of a temple.

Navagrahas in the temple.

Nagadevatha in the temple.

Donation / e-Hundi payment for Shree Renuka Yallamma Temple, Savadatti.

That's all from Renuka Yallamma Devi Temple, Savadatti for now.